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<Table>

<TR>

<TD>

BIOGRAPHY

When considering cinema and music, no theme has proved

to be more memorable and timeless than that of James

Bond. For countless fans, it is indeed with ritualized

anticipation that they await the appearance of 007 at

the open of each new film. No cinematic experience

quite matches it. A sequence of white dots roll across

the screen, then open to reveal our favorite British

spy targeted through the barrel of a gun.

He confidently strolls on screen; he turns,

shoots, and slays an unseen assassin. It is only with

the combination of this imagery and the appropriate

music, does it truly supply the audience with the

proper effect. Chill inducing, heart-pounding

excitement!

The genius of this theme belies its elegant

simplicity. Its chords and melody performed

for the first time in history in CTS Studios,

Bayswater, London, England in 1962. The James Bond

theme has become the everlasting ode to all that is

smooth, sultry, and spy; ultimately attesting that

nobody has done it, does it, or will do it better than

the music of 007. The world, therefore, owes a debt of

gratitude to the one of the most influential

guitarists of all time, the man behind Bond's twang,

the incomparable Vic Flick.

</TD>

<TD>

</TD>

</TR>

<TR>

See <a href=/bookrelease.asp>Book Release</a> for details.

</TD>

</TR>

</table>

<TABLE>

<tr>

<td>

Vic at the Cannery, Las Vegas, with the Rip Chords

</td>

<td>

Flick's illustrious career has literally spanned

decades, from acoustic folk in the late 1950's to live

stage performances and session recordings of the early

1960's and ultimately, to partake in the soundtrack of

cinema's ultimate spy, James Bond. In Flick's career,

he has had the opportunity to work with some of the

biggest names in music history. Tom Jones, Nancy

Sinatra, Burt Bacharach, Henry Mancini, Shirley

Bassey, Jimmy Page, John McLaughlin, and Eric Clapton

are but a few of the musical giants that have shared

the recording studio floor with Vic Flick.

</td>

</tr>

</table>

<TABLE>

<TR>

<TD>

Flick's musical career originated at the tender age of

age of fourteen, when he traded his piano lessons for

acoustic guitar. Flick's first major gig in the late

50's was with an acoustic band that toured with Paul

Anka, named the Bob Cort Skiffle Group. On the

same tour with Paul Anka of the United Kingdom was the

John Barry Seven, led by Oscar winning composer, John

Barry. Months later, after a call from Barry, Flick

joined the Seven, becoming the lead guitarist by 1958.

</TD>

<TD>

The John Barry 7

</TD>

</TR>

</table>

Flick became a highly regarded session player, lending

his masterful guitar skills to a variety of recordings

and instrumental themes. Flick's first memorable foray

into film scoring was his work with composer Barry on

the 1960's cult film, Beat Girl. Some critics regard

the score of this film, as the genesis for the Bond's

theme; as the slick title track of Beat Girl is

reminiscent of pre-Bond emanations. From this moment,

Flick's contribution to the 60's music scene was soon

to become immense.

<Table>

<TR>

<TD>

Monty Norman was contracted to compose the first Bond

film,

<a href="http://www.amazon.com/gp/product/B001CXYDO8?ie=UTF8&tag=vicflick%5Freferring%5Fads-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B001CXYDO8">Dr. No</a><img src="http://www.assoc-amazon.com/e/ir?t=vicflick_referring_ads-20&l=as2&o=1&a=B001CXYDO8" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />.

Three weeks before the film release

date; the main theme of James Bond remained

uncompleted. Film producer, Cubby Broccoli, contacted

Barry and commissioned him to complete a suitable

final score. With the aid of Flick's excellent guitar

skills, they finished the score in time, and went on

to make movie history. Flick performed the legendary

Bond theme on what he refers to as a "big, blonde

f-hole Clifford Essex Paragon Cello-Bodied guitar,

fitted with a DeAmond Volume Pedal into a Vox 15-Watt

Amplifier." Thanks to the efforts of Robert Rush

of The Rip Chords,

the guitar has now made its home in

The Rock and Roll Hall of Fame</a>.

</TD>

<TD>

</TD>

</TR>

</TABLE>

The sound of the 007 theme was a breakthrough in

session recording due to its technique. In the early

60's, the orchestra would record only one take, on

what the studios referred to as "compatible stereo."

This unique recording method allowed for the sound of

the guitar to "bleed" into adjacent microphones of the

orchestra, adding a lustrous and ambient quality to

the final recording.

In 1963/1964, Ringo's Theme was written by Lennon-McCartney and credited to the George Martin Orchestra

as additional music for "A Hard Days Night". The song, vocally, is "This Boy" and is

both in the movie and on the soundtrack.

Sir George Martin wanted a guitar sound close to the "James Bond Theme" and booked Vic for the gig.

Instead of the Clifford Essex, Vic used a '62 Fender Stratocaster with a '62 Fender Vibrolux amplifier

and got the exact sound George was happy with.

Flick's guitar virtuoso is also in composition, as is

prevalent in his banjo solo in the Kentucky sequence

in Goldfinger; and his haunting guitar styling in the

gypsy encampment scene featured in the film From

Russia with Love.

Flick's complete 007 filmography:

<img src="http://www.assoc-amazon.com/e/ir?t=vicflick_referring_ads-20&l=as2&o=1&a=B001CXYDO8" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />,

<a href="http://www.amazon.com/gp/product/B001DVVYEQ?ie=UTF8&tag=vicflick%5Freferring%5Fads-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B001DVVYEQ">From Russia with Love</a>

<a href="http://www.amazon.com/gp/product/B000MCI1RA?ie=UTF8&tag=vicflick%5Freferring%5Fads-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B001DVVYEQ">Goldfinger</a>

Thunderball,

You Only Live Twice, On Her Majesty's Secret Service,

Diamonds Are Forever, and License to Kill.

<table>

<TR>

<TD>

<a href=/media/Cannery.kmz>Encore at the Cannery, Las Vegas</a>

</TD>

<TD>

Since the Bond films, Flick has also added his talent

to films such as The Pink Panther, The Ipcress File,

Midnight Cowboy, and many more. The newest Bond

composer David Arnold, who has given Flick numerous

accolades to the inspiration of his orchestration, has

ensconced his trademark style. Flick and his style has

been honored by several remakes and tribute music, by

musicians and DJ's alike, including the likes of

Propellerheads, Moby, and Proteus 7.

Vic Flick continues his legacy to this day, by still

creating and composing music for a new generation of

fans of all ages across the globe.

</TD>

</TR>

</table>

Detail your services

<Table>

<TR>

<TD>

BIOGRAPHY

When considering cinema and music, no theme has proved

to be more memorable and timeless than that of James

Bond. For countless fans, it is indeed with ritualized

anticipation that they await the appearance of 007 at

the open of each new film. No cinematic experience

quite matches it. A sequence of white dots roll across

the screen, then open to reveal our favorite British

spy targeted through the barrel of a gun.

He confidently strolls on screen; he turns,

shoots, and slays an unseen assassin. It is only with

the combination of this imagery and the appropriate

music, does it truly supply the audience with the

proper effect. Chill inducing, heart-pounding

excitement!

The genius of this theme belies its elegant

simplicity. Its chords and melody performed

for the first time in history in CTS Studios,

Bayswater, London, England in 1962. The James Bond

theme has become the everlasting ode to all that is

smooth, sultry, and spy; ultimately attesting that

nobody has done it, does it, or will do it better than

the music of 007. The world, therefore, owes a debt of

gratitude to the one of the most influential

guitarists of all time, the man behind Bond's twang,

the incomparable Vic Flick.

</TD>

<TD>

</TD>

</TR>

<TR>

See <a href=/bookrelease.asp>Book Release</a> for details.

</TD>

</TR>

</table>

<TABLE>

<tr>

<td>

Vic at the Cannery, Las Vegas, with the Rip Chords

</td>

<td>

Flick's illustrious career has literally spanned

decades, from acoustic folk in the late 1950's to live

stage performances and session recordings of the early

1960's and ultimately, to partake in the soundtrack of

cinema's ultimate spy, James Bond. In Flick's career,

he has had the opportunity to work with some of the

biggest names in music history. Tom Jones, Nancy

Sinatra, Burt Bacharach, Henry Mancini, Shirley

Bassey, Jimmy Page, John McLaughlin, and Eric Clapton

are but a few of the musical giants that have shared

the recording studio floor with Vic Flick.

</td>

</tr>

</table>

<TABLE>

<TR>

<TD>

Flick's musical career originated at the tender age of

age of fourteen, when he traded his piano lessons for

acoustic guitar. Flick's first major gig in the late

50's was with an acoustic band that toured with Paul

Anka, named the Bob Cort Skiffle Group. On the

same tour with Paul Anka of the United Kingdom was the

John Barry Seven, led by Oscar winning composer, John

Barry. Months later, after a call from Barry, Flick

joined the Seven, becoming the lead guitarist by 1958.

</TD>

<TD>

The John Barry 7

</TD>

</TR>

</table>

Flick became a highly regarded session player, lending

his masterful guitar skills to a variety of recordings

and instrumental themes. Flick's first memorable foray

into film scoring was his work with composer Barry on

the 1960's cult film, Beat Girl. Some critics regard

the score of this film, as the genesis for the Bond's

theme; as the slick title track of Beat Girl is

reminiscent of pre-Bond emanations. From this moment,

Flick's contribution to the 60's music scene was soon

to become immense.

<Table>

<TR>

<TD>

Monty Norman was contracted to compose the first Bond

film,

Three weeks before the film release

date; the main theme of James Bond remained

uncompleted. Film producer, Cubby Broccoli, contacted

Barry and commissioned him to complete a suitable

final score. With the aid of Flick's excellent guitar

skills, they finished the score in time, and went on

to make movie history. Flick performed the legendary

Bond theme on what he refers to as a "big, blonde

f-hole Clifford Essex Paragon Cello-Bodied guitar,

fitted with a DeAmond Volume Pedal into a Vox 15-Watt

Amplifier." Thanks to the efforts of Robert Rush

of The Rip Chords,

the guitar has now made its home in

The Rock and Roll Hall of Fame</a>.

</TD>

<TD>

</TD>

</TR>

</TABLE>

The sound of the 007 theme was a breakthrough in

session recording due to its technique. In the early

60's, the orchestra would record only one take, on

what the studios referred to as "compatible stereo."

This unique recording method allowed for the sound of

the guitar to "bleed" into adjacent microphones of the

orchestra, adding a lustrous and ambient quality to

the final recording.

In 1963/1964, Ringo's Theme was written by Lennon-McCartney and credited to the George Martin Orchestra

as additional music for "A Hard Days Night". The song, vocally, is "This Boy" and is

both in the movie and on the soundtrack.

Sir George Martin wanted a guitar sound close to the "James Bond Theme" and booked Vic for the gig.

Instead of the Clifford Essex, Vic used a '62 Fender Stratocaster with a '62 Fender Vibrolux amplifier

and got the exact sound George was happy with.

Flick's guitar virtuoso is also in composition, as is

prevalent in his banjo solo in the Kentucky sequence

in Goldfinger; and his haunting guitar styling in the

gypsy encampment scene featured in the film From

Russia with Love.

Flick's complete 007 filmography:

<img src="http://www.assoc-amazon.com/e/ir?t=vicflick_referring_ads-20&l=as2&o=1&a=B001CXYDO8" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />,

<a href="http://www.amazon.com/gp/product/B001DVVYEQ?ie=UTF8&tag=vicflick%5Freferring%5Fads-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B001DVVYEQ">From Russia with Love</a>

<a href="http://www.amazon.com/gp/product/B000MCI1RA?ie=UTF8&tag=vicflick%5Freferring%5Fads-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B001DVVYEQ">Goldfinger</a>

Thunderball,

You Only Live Twice, On Her Majesty's Secret Service,

Diamonds Are Forever, and License to Kill.

<table>

<TR>

<TD>

<a href=/media/Cannery.kmz>Encore at the Cannery, Las Vegas</a>

</TD>

<TD>

Since the Bond films, Flick has also added his talent

to films such as The Pink Panther, The Ipcress File,

Midnight Cowboy, and many more. The newest Bond

composer David Arnold, who has given Flick numerous

accolades to the inspiration of his orchestration, has

ensconced his trademark style. Flick and his style has

been honored by several remakes and tribute music, by

musicians and DJ's alike, including the likes of

Propellerheads, Moby, and Proteus 7.

Vic Flick continues his legacy to this day, by still

creating and composing music for a new generation of

fans of all ages across the globe.

</TD>

</TR>

</table>

Detail your services

<Table>

<TR>

<TD>

BIOGRAPHY

When considering cinema and music, no theme has proved

to be more memorable and timeless than that of James

Bond. For countless fans, it is indeed with ritualized

anticipation that they await the appearance of 007 at

the open of each new film. No cinematic experience

quite matches it. A sequence of white dots roll across

the screen, then open to reveal our favorite British

spy targeted through the barrel of a gun.

He confidently strolls on screen; he turns,

shoots, and slays an unseen assassin. It is only with

the combination of this imagery and the appropriate

music, does it truly supply the audience with the

proper effect. Chill inducing, heart-pounding

excitement!

The genius of this theme belies its elegant

simplicity. Its chords and melody performed

for the first time in history in CTS Studios,

Bayswater, London, England in 1962. The James Bond

theme has become the everlasting ode to all that is

smooth, sultry, and spy; ultimately attesting that

nobody has done it, does it, or will do it better than

the music of 007. The world, therefore, owes a debt of

gratitude to the one of the most influential

guitarists of all time, the man behind Bond's twang,

the incomparable Vic Flick.

</TD>

<TD>

</TD>

</TR>

<TR>

See <a href=/bookrelease.asp>Book Release</a> for details.

</TD>

</TR>

</table>

<TABLE>

<tr>

<td>

Vic at the Cannery, Las Vegas, with the Rip Chords

</td>

<td>

Flick's illustrious career has literally spanned

decades, from acoustic folk in the late 1950's to live

stage performances and session recordings of the early

1960's and ultimately, to partake in the soundtrack of

cinema's ultimate spy, James Bond. In Flick's career,

he has had the opportunity to work with some of the

biggest names in music history. Tom Jones, Nancy

Sinatra, Burt Bacharach, Henry Mancini, Shirley

Bassey, Jimmy Page, John McLaughlin, and Eric Clapton

are but a few of the musical giants that have shared

the recording studio floor with Vic Flick.

</td>

</tr>

</table>

<TABLE>

<TR>

<TD>

Flick's musical career originated at the tender age of

age of fourteen, when he traded his piano lessons for

acoustic guitar. Flick's first major gig in the late

50's was with an acoustic band that toured with Paul

Anka, named the Bob Cort Skiffle Group. On the

same tour with Paul Anka of the United Kingdom was the

John Barry Seven, led by Oscar winning composer, John

Barry. Months later, after a call from Barry, Flick

joined the Seven, becoming the lead guitarist by 1958.

</TD>

<TD>

The John Barry 7

</TD>

</TR>

</table>

Flick became a highly regarded session player, lending

his masterful guitar skills to a variety of recordings

and instrumental themes. Flick's first memorable foray

into film scoring was his work with composer Barry on

the 1960's cult film, Beat Girl. Some critics regard

the score of this film, as the genesis for the Bond's

theme; as the slick title track of Beat Girl is

reminiscent of pre-Bond emanations. From this moment,

Flick's contribution to the 60's music scene was soon

to become immense.

<Table>

<TR>

<TD>

Monty Norman was contracted to compose the first Bond

film,

Three weeks before the film release

date; the main theme of James Bond remained

uncompleted. Film producer, Cubby Broccoli, contacted

Barry and commissioned him to complete a suitable

final score. With the aid of Flick's excellent guitar

skills, they finished the score in time, and went on

to make movie history. Flick performed the legendary

Bond theme on what he refers to as a "big, blonde

f-hole Clifford Essex Paragon Cello-Bodied guitar,

fitted with a DeAmond Volume Pedal into a Vox 15-Watt

Amplifier." Thanks to the efforts of Robert Rush

of The Rip Chords,

the guitar has now made its home in

The Rock and Roll Hall of Fame</a>.

</TD>

<TD>

</TD>

</TR>

</TABLE>

The sound of the 007 theme was a breakthrough in

session recording due to its technique. In the early

60's, the orchestra would record only one take, on

what the studios referred to as "compatible stereo."

This unique recording method allowed for the sound of

the guitar to "bleed" into adjacent microphones of the

orchestra, adding a lustrous and ambient quality to

the final recording.

In 1963/1964, Ringo's Theme was written by Lennon-McCartney and credited to the George Martin Orchestra

as additional music for "A Hard Days Night". The song, vocally, is "This Boy" and is

both in the movie and on the soundtrack.

Sir George Martin wanted a guitar sound close to the "James Bond Theme" and booked Vic for the gig.

Instead of the Clifford Essex, Vic used a '62 Fender Stratocaster with a '62 Fender Vibrolux amplifier

and got the exact sound George was happy with.

Flick's guitar virtuoso is also in composition, as is

prevalent in his banjo solo in the Kentucky sequence

in Goldfinger; and his haunting guitar styling in the

gypsy encampment scene featured in the film From

Russia with Love.

Flick's complete 007 filmography:

<img src="http://www.assoc-amazon.com/e/ir?t=vicflick_referring_ads-20&l=as2&o=1&a=B001CXYDO8" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />,

<a href="http://www.amazon.com/gp/product/B001DVVYEQ?ie=UTF8&tag=vicflick%5Freferring%5Fads-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B001DVVYEQ">From Russia with Love</a>

<a href="http://www.amazon.com/gp/product/B000MCI1RA?ie=UTF8&tag=vicflick%5Freferring%5Fads-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B001DVVYEQ">Goldfinger</a>

Thunderball,

You Only Live Twice, On Her Majesty's Secret Service,

Diamonds Are Forever, and License to Kill.

<table>

<TR>

<TD>

<a href=/media/Cannery.kmz>Encore at the Cannery, Las Vegas</a>

</TD>

<TD>

Since the Bond films, Flick has also added his talent

to films such as The Pink Panther, The Ipcress File,

Midnight Cowboy, and many more. The newest Bond

composer David Arnold, who has given Flick numerous

accolades to the inspiration of his orchestration, has

ensconced his trademark style. Flick and his style has

been honored by several remakes and tribute music, by

musicians and DJ's alike, including the likes of

Propellerheads, Moby, and Proteus 7.

Vic Flick continues his legacy to this day, by still

creating and composing music for a new generation of

fans of all ages across the globe.

</TD>

</TR>

</table>

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VicFlick

VicFlick

Get your daily dose!

Site Content

Detail your services

Detail your services

Detail your services

Announce coming events

Display real testimonials

Promote current deals

Share the big news

Display their FAQs

Welcome

Welcome

My Blog

Photo Gallery NNN1

Get your daily dose!

Site Content

Detail your services

Detail your services

Detail your services

Announce coming events

Display real testimonials

Promote current deals

Share the big news

Display their FAQs

Welcome

Welcome

My Blog

Photo Gallery NNN1

Social